Michael Stern
Steinway Tower, a Wikimedia Commons photograph in Michael Stern's encyclopedia
Photo: Becker747400, Creative Commons Attribution ShareAlike 4.0 International, file page on Wikimedia Commons

Building Tall on a Manhattan Midblock Lot

EntryWest 57th Street and Steinway Hall5 sections9 cited sources
Contents
  1. Before: a lot with one way in
  2. The street as a work zone
  3. Lifting where there is no yard
  4. Wind and the rules of the day
  5. The people on the hook, and the street after

Michael Stern’s firm, JDS Development Group, keeps acquisition, development and the building work itself inside one company, and its 111 West 57th Street was built in the courtyard of the landmarked Steinway Hall. The approved record of the project does not set out its construction sequence, and this entry does not invent one. It describes instead what New York asks of anyone who builds on a lot reached from a single street: how the street is protected, how material goes up when there is no yard to hold it, what the wind rules require, and who does the lifting. It ends where it starts, on the sidewalk, once the tower is complete.

Before: a lot with one way in

The grid explains why such lots exist. The 1811 street plan laid Manhattan out in blocks 200 feet deep, a size that suited a pair of lot rows reaching roughly a hundred feet back, one on each street, as the historians Jason Barr and Gerard Koeppel note in a Gotham Center essay on the grid’s myths.1 Nothing in the plan provided back lanes, a point taken up in detail by the courtyard entry. Ground in the interior of a block is therefore surrounded on three sides by other people’s buildings and opens to the city only through a street frontage.

For a builder that means a short list of fixed facts before any drawing is made. Every truck, every worker and every piece of the building must come in through the same front. There is little or no open land on which to stage deliveries, park equipment or sort material. And the street in front, however wide, belongs to the public, so any use of it is borrowed and regulated.

The street as a work zone

The first thing New Yorkers see of a new building is usually the sidewalk shed. Scaffolding of this kind is required wherever construction exposes pedestrians to falling material, and where the sidewalk cannot be kept open, sheds extend into the roadway or signs send people across the street, explains StreetEasy’s guide to the city’s scaffolding.2 The same guide notes that new construction commonly runs two to four years, so a shed can be a fixture of a block for most of that time.2 On a single frontage site the shed also frames the one opening through which everything passes, and the rhythm of trucks at that opening becomes the rhythm of the job.

Lifting where there is no yard

Figure

Four ways to lift in a tight city

How it worksWhere it fits
Luffing tower craneAn A frame and boom raised and lowered on a machine platformDense urban sites where a swinging jib would cross neighbors
Hammerhead tower craneLoads travel horizontally along a fixed boomOpen sites, since its long heel section brings restrictions
Internal climbing craneInstalled inside the building and tied to special steel membersSites where local restrictions leave no room outside
DerrickA guyed or braced mast with a boomErecting and dismantling tower cranes on high rises
Crane types the Department of Buildings described to the industry in 2014, and where each fits. Source: NYC Department of Buildings.

Where a site has no room at grade, work goes up rather than out, and the tower crane does most of it. The Department of Buildings’ 2014 presentation on crane safety traces the equipment’s history in the city: steam derricks from about 1878, tower cranes replacing them as the main hoisting tool from about 1930, and derricks surviving mainly to erect and dismantle the tower cranes.3 It describes luffing cranes, which raise and lower their boom, as suited to dense urban sites, and notes that hammerhead cranes carry restrictions because of their long heel section.3

The same presentation separates the two kinds of tower by what they ask of a crane. Concrete buildings need high line speed and modest capacity to keep a cycle of a floor every two or three days; steel buildings need high capacity and accept a slower line because beams and columns are heavy.3 Most manufacturers had moved from hydraulic to electric cranes by the 1970s, so the department told builders to plan adequate electric service early.3 A trade report on a Wolff luffing crane in Lower Manhattan makes the same point from the field: the machine was electrically powered to meet New York City regulations and was set up with an internal climbing frame.5

Climbing is how the crane keeps pace with the building. An external climber stands beside the structure, is tied to it with steel collars and adds tower sections to itself as the floors rise; an internal climber stands inside the building and is jacked up through it a few floors at a time on new steel supports, according to Sims Crane.4 At the end of a job, a derrick built on the roof takes the tower crane apart and lowers it in pieces.4 The Department of Buildings adds that internal climbing is chosen mainly because of site specific restrictions, which describes a lot hemmed in by neighbors on three sides.3

Wind and the rules of the day

A tall crane on a narrow lot works under daily limits set by the weather. After a crawler crane toppled in Tribeca in February 2016, killing a pedestrian, the city ordered every one of its 376 crawler cranes and 53 tower cranes locked down, reported Engineering News Record.8 The fine for ignoring a cease operations order rose to $10,000, and operators were required to notify neighbors when a crane was being lowered to a secure position.8

Figure

The city's crane fleet in early 2016

Crawler cranes ordered locked down
376
Tower cranes ordered locked down
53
Jobsite deaths in 2015, down from 19 in 2008
11
Forecast wind that now triggers a crawler crane shutdown
20 mph
Counts and thresholds reported by Engineering News Record after the Tribeca collapse led to a citywide lockdown. Source: Engineering News Record.

The rules that followed read like a daily routine. A March 2016 order summarized by Crane Briefing barred all crane operations whenever winds exceeded 30 miles an hour or were forecast to, required a licensed engineer on site for crawler cranes rated below that speed, and made operators record the position in which they left the boom at the end of every shift.7 Wind was to be measured at the nearest National Weather Service station or by an anemometer at the job.7 On gusty days the department simply orders cranes to stop and sites to be secured, and sends inspectors to check, as CBS New York reported of one such morning.6

The people on the hook, and the street after

None of this runs itself. The Associated Press profiled one operator on a Manhattan tower who rides an elevator up more than 50 stories before dawn, then climbs into a glass cab to work the joysticks alone, and a colleague in charge of crane safety who begins each day with inspections before anything moves, in a report carried by the Samoa Observer.9 At the time the city licensed 55 tower cranes and 26 smaller crawlers, about twice as many as two years earlier.9 Beneath them work signal operators, riggers, hoist runners and the trades whose deliveries are timed to the crane’s free minutes, and on a lot with one way in, their coordination is the schedule.

The after picture is plainer. On a job of this kind the crane is taken down by a derrick on the roof, the hoist comes off the face of the building, and the shed that framed the opening is dismantled so that the sidewalk returns to the people walking past. The 111 West 57th Street entry sets out the finished tower in the terms the firm has approved, and the Billionaires Row entry walks the street it now stands on.